Writing exercise, Emily Bernard’s workshop on “Writing the Self through Others”:
Write about a moment when you took a chance with your writing (or wanted to) and said things you needed to say, only to find that your truth hurt someone else. What strategies did you use to repair the situation? What did you learn?
My draft:
I don’t want them. I love them; I loved her. And, I do not want to be a parent; I never have. I never want to raise anyone else ever again.
Nowhere within my community of birth is there a place to speak that truth without risking excommunication, getting placed outside communion or, as Toni Morrison put it, being put outdoors.
There aren’t many places of comfort for black women who aren’t willing to be martyrs. Disdain. Judgment. Tolerance… at best. But, certainly, no soft place. And with so much that’s rigid and unyielding, jagged and hard for us, the calculus of relinquishing one of those rare spaces …
***
Two refrains reverberated in my late adolescence:
1) Families are a bad idea.
My ambivalence about family is longstanding and unwavering. When my best friend texts me, “Imagine: walking into a room in Ohio where all the people have solutions and not problems,” adjuring that I simply, “Imagine” there’s nothing I conjure. Faintly, I recall a study with the startling revelation that parentified children often don’t dream; a surprise only to those who never were.
2) I have no desire to grow up and be a woman.
Womanhood, as far as I could see, was a state of permanent expectation that you’d willingly lay yourself on the altar, while those who claimed love sat down to the table, utensils raised and glistening to partake in their daily bread … this/here is my body, broken for you
I am nobody’s Jesus.
What did/have you learned?
In some spaces, [my] silence, complicity and self-erasure are (will always be?) more valued than my self.
7/22/2022 – JJB
* * *
I participated in the VONA craft intensive Emily Bernard gave back in 2022 trying to find my way back to my writerly me. In the workshop breakout room, I pushed past my uber-introvert awkwardness to volunteer to share a bit about my fears on writing about my resentment & rage about being expected to raise my baby sister’s 3 kids after she & her partner were killed. I was afraid, I told the room, about how sharing those feelings might impact them when they’re old enough to read my work:
“There aren’t many places of comfort for black women who aren’t willing to be martyrs. Disdain. Judgment. Tolerance… at best. But, certainly, no soft place. And with so much that’s rigid and unyielding, jagged and hard for us, the calculus of relinquishing one of those rare spaces …”
Her comments in that exchange offered me a way to see more than the potential for loss in writing about my ambivalence about children I love, but did not (& would not) choose, an uncomfortable, unpopular truth. She’d told me that there are also folks out there whose ears are straining for stories like mine, stories that mirror parts of their experience that they’ve felt isn’t valid or valued.
When I saw the ad for her VONA workshop, I’d just finished Black is the Body. From the very first page, I felt like I was being welcomed into a conversation, a sermon really, that I’d been longing to hear. And like the folks I come from are wont to do, I spoke/wrote back to her from the Amen corner, underlining and scrawling notes in the margins.
To her call in the 2nd paragraph: “I couldn’t tell the story yet because I didn’t know what it meant,” I wrote in response, “She knew the situation, but not the story,” immediately reminded of Vivian Gornick’s The Situation and The Story, which I’d recently re-read, seeking out Vivian’s wisdom as I had more than a decade before when I admitted I was thinking of dropping out of the New School’s MFA where I was taking a workshop with her: MFAs are nothing but cash cows now, Vivian told me, without pause. Just write.
Before I could turn the page, though, Emily had kept the call and response going, referencing Vivian’s The S & the S, prompting me to write in large print: “OMG & then she quotes Gornick, too! I think I may have found my teacher! ~5/16/22” and then, in tiny constrained writing at the bottom of the page, “What are the situations? Start small: moments. memories. mishaps. Work your way towards the story(ies).” I was already pulling lessons from her words and I hadn’t yet made it past the first page.
I’d signed up for the VONA intensive in part because I’ve largely failed to heed Vivian’s advice. That failure, in part, was simply due to my own lack of will and discipline. Another part, though, stemmed from the same family obligations I shared during the intensive.
Most days I feel like I’ll never recover the capacity to write that I had during the MFA. There’s no space, no time, after a litany of duties sprung from family losses: my father & stepbrother weeks after Vivian & I spoke, my grandmother a few months later, becoming my mother’s primary caretaker 2 years after when we discovered she had MS & it has created scar tissue in her brain that left her disabled, compromising her memory and cognitive processing. Taking over my mom’s affairs in my early 30s was overwhelming, but to wake up suddenly responsible for 3 little people under 10, having gone to sleep someone who at nearly 40 was very much childless by choice, now I yearn now for the freedom I still had then. These days, it’s a struggle to form & hold onto complete thoughts.
A recovering academic, an aspiring writer, so much of my identity has always centered on the sharpness of my thoughts, my ability to reason and feel my way through the world with words. Co-parenting the littles, for a long time it’s been hard to remember what I’m interested in beyond sleep or the escape of British TV, much less to craft coherent sentences on… anything. Less still can I craft the quick-witted repartee proliferating in think pieces and social commentary produced at increasingly breaknecking speed today.
I feel often that, like my mom, I have lost my capacity to just think.
Therein lies the rub. The part of me that’s most me is, & has always been, the part that my family & community of birth – who’ve built admirable lives, families & legacies as workers, carers & laborers across professions – understands the least. Taking time to just … think, seems wasteful, a luxury for other folk or perhaps for the young, and certainly not for someone with 3 little mouths to feed.
Between the endlessness of caretaking tasks, the impossible speed of contemporary writing, and the suffocating expectations that my life play second fiddle to those of the kids I’m raising, I’ve struggled to write much at all for the past few years, hopeless that I’d ever find my footing again. Until I picked up Black Is the Body … her words offered me a mooring, that promised, yes the kind of writing that you hope to do, once believed you could do, exists and matters & it’s possible to do, even while raising children, and even if the complexities you’re trying to disentangle are about them.
I sent Emily a thank you note afterwards:
This thank you is two-fold. First, thank you for writing words that were the precise fit for some of my writerly wounds (& some personal ones as well). Second, thank you for offering me a way to frame what I’m writing to my family that goes beyond the risks, costs & potential for loss. “Tell them,” you said in the workshop, “this is the way you practice your humanity, through writing”.
I’m still struggling to find the courage, the fortitude, to bring it all to the page. But now, day by day, I’m able to press on, trying.
8/24/2022 ~JJB